Generally, I would not consider Color Efex Pro to be a sophisticated portraiture editing tool by any means. For example, the “Blue Monday” recipe, below, allows you to adjust the type of tone used as well as the cross-processing which gives additional creative options. This instantly makes editing easier, and each individual recipe can be further modified. The plugin now also has “Recipes” - a section below “Filter Library” - which contains 35 additional presets which can be previewed. Many of the filters are unsuitable for either natural or artistic applications, and I found myself trawling through the long list but struggling to find one that fits, even with all the modifications that are available within each filter. With such a large number of filters available, it appears that Color Efex is trying to be a plugin that does it all but fails to deliver quality. It’s tedious and time-consuming.Ĭolor Efex Pro does have a long library of filters but most I’ve found unsuitable Instead, users have to click on a small icon right next to each filter’s name in order to reveal several other filters within that category, which do have previews, and keep going back and forth until settling on the final one. All three plugins offer a library of filters but Color Efex is the only one that doesn’t let you them in the main filter library which can make the editing process longer than it needs to be. Color Efex ProĬolor Efex Pro, which aims to bring a variety of filters for different types of photography from architecture to weddings and nature, is the weakest one out of the trio in my opinion, especially when it comes to being user-friendly. Each one of them brings something different and you will find yourself gravitating towards certain filters or sections of each plugin that suit your editing style. Where Nik Collection has always stood out as a unique tool is its large number of presets, film simulations, and filters that cover both color and monochrome images and can be found across its three core plugins: Color, Analog, and Silver Efex Pro. The UI for all plugins is similar and brings continuity throughout, although with the latest update some of the sections in the right-hand-side panel can be difficult to navigate at times due to Nik Collection 4 opting for a dark minimalist design, which comes with small icons that can be hard to see or find. So while it might not be as tightly integrated as some might like, that does have its benefits. However, because the plugins are broken down in eight separate ways, it can make it easier for inexperienced users to work their way through the collection and become accustomed to the different looks that can be created in each one of them. If you first correct your image in Perspective Efex, you will need to edit it in other plugins separately afterwardīecause Nik boasts over 250 presets across the collection, it can be easy to become overwhelmed with the different creative directions that you can take. On the flip side though, it keeps the plugins lean by not automatically including features you don’t necessarily need. This isn’t the best workflow because it takes time to swap between the two or three plugins. However, users will have to swap between the plugins if, for example, they want to first work on correcting the perspective in Perspective Efex or sharpen the RAW file in Sharpener Pro, followed by image adjustments in one of the other plugins. Nik Collection 4 works well in conjunction with Lightroom and Photoshop, PetaPixel’s David Crewe noted when it was announced, but it can also be a great stand-alone editing tool.
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